[ Left in Fitz's workspace are a collection of notes, written in a lot of shorthand that is probably decipherable to anyone with similar work patterns, along with some well sketched schematics. It takes a little shuffling through to find a more total diagram of what Fitz is supposed to be looking at.
A bulky, two-legged, two-armed figure, with a reactor in its chest. Tony is nothing if not consistent.
All of this seems to be context for one set of even more detailed diagrams featuring a robotic arm. Sleekly designed mechanics infused with tracks of lyrium to take the place of sensors and electrical conduit, which all ostensibly link back to the reactor.
Written just above the crab claw type design at the end of the arm, is; ]
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notes.
A bulky, two-legged, two-armed figure, with a reactor in its chest. Tony is nothing if not consistent.
All of this seems to be context for one set of even more detailed diagrams featuring a robotic arm. Sleekly designed mechanics infused with tracks of lyrium to take the place of sensors and electrical conduit, which all ostensibly link back to the reactor.
Written just above the crab claw type design at the end of the arm, is; ]
I could use a hand
- TS